About + Projects

Thanks for stopping by. Nicholas (Nick) Dantzer is a photographer based in Boston, Massachusetts, USA. His photographic work explores the contemporary American landscape at the intersection of ruralism, nostalgia, economic opportunity, and small-town identity. Attuned to the intrinsic value of all places and their people, these photographic objectives were developed through Nick’s lived experiences in various environments and extensive travel throughout the United States.

The desire to explore and document these landscapes was first shaped by Nick’s upbringing in Michigan, through active participation in small and rural communities traditionally found in the American Midwest, while bordered and balanced within the contexts of urban and semi-urban environments of Detroit and Flint, Michigan. During this era of the 1980s to early 2000s, these two cities confronted the social and political anxieties of deindustrialization and the related effects of severe economic displacement. Attentive to the intrinsic value of these communities at the time, these experiences inform Dantzer’s photographic vision today in that he aims to access and elevate the places, spaces, and people, to challenge viewers to reconsider their perceptions of social and cultural significance, memory, and conventional beauty.

More on R.E. Elliott Slides

Born in Logansport, Indiana in 1906, Russell E. Elliott, Ph.D (R.E. Elliott) lived a rootless and at times tragic life. After a stint painting cars and living unaccompanied at the local YMCA in Hoopeston, Illinois, R.E. Elliott finished high school as class president, enrolled at the University of Illinois for a degree in journalism, and married his high school sweetheart, Clara Louise.

Elliott moved to Detroit in 1945 to ultimately serve as a community leader in Detroit philanthropic circles at places like the Detroit YMCA—the first YMCA branch in the United States dedicated to racial justice—and raised funds from Detroit’s wealthy to benefit his community and beloved Metropolitan Methodist Church. Elliott later achieved a Ph.D from Detroit’s Wayne State University and held leadership positions in university administration. Throughout his life, Elliott was forever an insatiable reader, a student of Eastern and Western philosophy, and wrote and published poetry extensively. He once wrote, “I guess I am a philosopher without depth, a poet without form — just a lover of books and ideas”.

At some point along the way, Elliott picked up a camera. Featuring skilled portraits of family and his 4 daughters, his beloved northern Michigan woods and water, roaring Detroit, and other travels, Elliott was a hobbyist but dedicated and skilled photographer. Taking thousands of photographs from approximately 1947 until his death in 1977, these images—never shared publicly—are a deeply intimate and quintessential portrait of mid-century America.

Upon his death in 1977, Elliott’s photographs were resting largely unseen and unshared at his Northern Michigan lake cottage. Since 2018, these slides have been carefully revisited by Elliott’s maternal grandson, Nicholas Dantzer, whom he never met. Since retrieving and moving these images across the country, Dantzer has reviewed over 20,000 images in the form of Kodachrome slides to curate a selected collection of photographs.